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Kutsu: Pelitutkimuksen vuosikirja 2015, uusi päätoimittaja

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[Finnish Yearbook of Game Studies, call for 2015] Pelitutkimuksen vuosikirja jatkaa toimintaansa edelleen myös ensi vuonna. Päätoimittaja vaihtuu: vuosikirjan perustamisesta vuodesta 2009 suuren työn tehnyt professori Jaakko Suominen luovuttaa valtikan Jyväskylän yliopiston nykykulttuurin professorille Raine Koskimaalle, joka aloittaa vuoden alusta vuosikirjan uutena päätoimittajana. Vertaisarvioitu, suomenkielinen tiedejulkaisu on edelleen kiinnostunut julkaisemaan mielenkiintoisia uusia tutkimusartikkeleita, katsauksia ja kirja-arvioita; ks. kutsu: http://www.pelitutkimus.fi/vuosikirja-2015



MEC 2015: Midnight Sun conference on media education, ICT and games

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Spread the word of this interesting conference – I am one of the keynotes and the call for papers is now open:

Welcome to the MEC 2015!

Media Education Conference – MEC 2015 (former NBE) is an informal and friendly conference which participants attend to exchange ideas and information dealing with media education, educational use of ICTs and learning environments. MEC is organized on 15-17 June 2015 in Sallatunturi with the theme In the Light of the Midnight Sun. The event organizer is the Centre for Media Pedagogy at the University of Lapland (CMP).

Keynote Speakers:
Professor Roger Säljö, Department of Education, University of Gothenburg, Sweden
Associate Dean Sandi Feaster, School of Medicine, Standford University, USA
Professor Frans Mäyrä, School of Information Sciences, University of Tampere, Finland

Important Dates and Deadlines:
Deadline for abstract submissions: 2 February 2015
Notifications of acceptance sent to authors by 16 February 2015
Deadline for paper submission of accepted abstracts: 13 April 2015
Deadline for early-bird registration: 30 April 2015
Review results notified to authors by 11 May 2015
Deadline for camera-ready papers: 29 May 2015

Please check the conference website for full details of programme, keynotes, paper submission and registration: http://www.ulapland.fi/MEC2015

Please forward this message to all the persons and organizations you think will be interested in the conference.

Looking forward to seeing you in Salla in June!

MEC 2015 Organizers

Professor Heli Ruokamo, Director, Chair
Ph.D. Päivi Rasi, University lecturer, Title of Docent
Ph.D. Mari Maasilta, University lecturer
Ph.D. Hanna Vuojärvi, University lecturer
MA (Education) Tuulikki Keskitalo, Researcher
Marja-Leena Porsanger, Conference Coordinator, Rovaniemi-Lapland Congresses, University of Lapland

Ystävällisin terveisin / With best regards,

Marja-Leena Porsanger
Konferenssisuunnittelija / Conference Coordinator

Postiosoite / Mailing address:
Lapin yliopisto / University of Lapland
Rovaniemi-Lapland Congresses
PL 122 / PO Box 122
96101 Rovaniemi, Finland

Käyntiosoite / Visiting address:
Hallituskatu 20 A, 96100 Rovaniemi

Tel. +358 (0)40 721 8260
Fax +358 (0)16 362 940
Marja-Leena.Porsanger@ulapland.fi and congress@ulapland.fi
www.ulapland.fi/kongressipalvelu


CFP: Farnir 3/2015 (Nordic Issue)

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Please spread the word:

CALL FOR PAPERS: Fafnir 3/2015 (Nordic issue)

Fafnir – Nordic Journal of Science Fiction and Fantasy Research invites you to submit a paper for the upcoming edition 3/2015!

Fafnir – Nordic Journal of Science Fiction and Fantasy Research is a peer-reviewed academic journal which is published in electronic format four times a year. Fafnir is published by The Finnish Society of Science Fiction and Fantasy Researchers (Suomen science fiction- ja fantasiatutkimuksen seura ry).

One of the objectives of Fafnir is to join up the Nordic field of science fiction and fantasy research, and the upcoming issue will be dedicated to the history and present state of science fiction and fantasy research in the Nordic countries.

If you would like to submit your text for Fafnir 3/2015, we ask you to take the following into account:

* The main language of the journal is English, but articles are also published in Finnish or in the Scandinavian languages. Please note that if English is not your first language, you should have your text reviewed or edited by an English language editor before submitting it for Fafnir.

* The submissions must be original work.

* Manuscripts of research articles should be between 20,000 and 40,000 characters in length.

* The journal uses the most recent edition of the MLA Style Manual. More information on submission guidelines can be found here: http://journal.finfar.org/for-authors/submission-guidelines.

* The manuscripts of research articles will be peer-reviewed.

In addition to research articles, Fafnir welcomes text submissions such as essays, interviews, overviews and book reviews on any subject suited for the journal.

The deadline for the submissions is 31 May 2015.

Please send your electronic submission (as an RTF-file) to the following address: submissions(at)finfar.org. For further information, please contact the editors: jyrki.korpua(at)oulu.fi, hanna.roine(at)uta.fi and paivi.vaatanen(at)helsinki.fi. More detailed information on our journal is available at http://journal.finfar.org.

The upcoming edition is scheduled for September 2015.

Best regards,

Jyrki Korpua, Hanna-Riikka Roine and Päivi Väätänen

Editors, Fafnir – Nordic Journal of Science Fiction and Fantasy Research

e-mail: submissions(at)finfar.org

http://journal.finfar.org

https://www.facebook.com/groups/fafnirjournal


CFP: DiGRA/FDG 2016

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Please spread the word:

CFP DiGRA/FDG 2016 – 1st Joint International Conference of DiGRA and FDG

For the first time, the Digital Games Research Association (DiGRA) and the Foundation of Digital Games (FDG) will partner in an unprecedented gathering of games researchers. We invite researchers and educators within game research, broadly construed, to submit their work.

For more information, please visit the conference’s website: www.digra-fdg2016.org

Tracks

DiGRA/FDG aims at being a venue for game research from all research disciplines. In line with this, it accepts and encourages submissions in the following six tracks, on a wide range of subjects including, but not limited to:

  • Game design: Design techniques, practices, methods, post mortems, etc.
  • Game criticism and analysis: Close readings, ontologies and frameworks, historical studies, philosophical explorations, and other humanities-informed approaches
  • Play studies + Interaction and player experience: studies of play, observations and interviews of players, and research based on other methods from the social sciences; game interfaces, player metrics, modeling player experience
  • Artificial intelligence: agents, motion/camera planning, navigation, adaptivity, procedural content generation, dialog, authoring tools, general game playing
  • Game technology: engines, frameworks, graphics, networking, animation
  • Game production: studies of game production processes, studio studies, software studies, platform studies and software engineering

Due to the interdisciplinary nature of the DiGRA/FDG conference, authors and reviewers alike will be required to describe their research background and field of study as part of the submission process. The intention for this is to help reviewers be conscious of when they are reviewing work outside their own field as well as making clear the proportions of contributing fields.

Submission categories

DiGRA/FDG 2016 supports two different categories for submitting research:

  • Full Papers (no more than 16 pages)
  • Extended Abstracts with a maximum length of 2-pages

This structure reflects the cross-disciplinary nature and different conference traditions of the conference attendants. A full paper submission is recommended for completed research work, in particular empirical or technical work. The extended abstract format is suitable for discussion topics and ideas. Both full papers and abstracts are subject to a double-blind review process. These two categories are the only ones that will be published in DiGRA’s digital library.

Deadlines full papers and extended abstracts

Submission deadline

  • January 29 2016 (hard deadline)

Acceptance/rejection notification

  • March 21 2016

Rebuttals

  • March 25 2016

Notification of final decisions

  • March 31 2016

Camera ready

  • April 29 2016

In addition to this, DiGRA/FDG 2016 accepts submissions for:

  • Events with a maximum length of 2-page abstract
  • Panels with a maximum length of 2-page abstract

These are curated by the local organizers and do not go through an anonymized process.

Deadlines panels and events

Submission deadline

  • January 29 2016 (hard deadline)

Acceptance/rejection notification

  • March 21 2016

Camera ready

  • April 29 2016

Some work does not fit as paper presentations due to its nature or research maturity. For this, DiGRA/FDG 2016 is open to submission to the following categories:

  • Posters with a maximum length of 2-page abstract
  • Demos with a maximum length of 2-page abstract

These categories have late deadlines to allow the most recent research and results to be submitted.

Deadlines posters and demos

Submission deadline

  • April 8 2016 (hard deadline)

Acceptance/rejection notification

  • May 9 2016

Camera ready

  • May 23 2016

DiGRA/FDG 2016 provides a doctoral consortium for PhD students. Those interested in attending this should submit a position paper in the extended abstract format with a maximum length of 2 pages.

Deadlines doctoral consortium

Submission deadline

  • April 22 2016 (hard deadline)

Acceptance/rejection notification

  • May 9 2016

DiGRA/FDG 2016 also welcomes submissions to arrange workshops. These have an earlier deadline than other submission to support workshops that wish to have their own peer reviewing process for submissions. These should be submitted as extended abstracts with a maximum length of 2 pages. Please submit workshop proposals by email to the three program chairs, and place “[FDG/DiGRA 2016 Workshop Submission]” in the subject line.

Deadlines workshops

Submission deadlines

  • November 16 2015 (hard deadline)

Acceptance/rejection notification

  • December 11 2015

Location & Date

  • August 1-6 2016
  • The School of Arts, Media and Computer Games, Abertay University
  • Dundee, Scotland, UK

For more information see: www.digra-fdg2016.org

Program Chairs

 


CFP: CHI PLAY 2016

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CHI PLAY 2016

The 3rd ACM SIGCHI Annual Symposium on Computer-Human Interaction in Play
http://chiplay.acm.org
Twitter: #chiplay
Austin, Texas
October 16 – 19, 2016

CHI PLAY is an international and interdisciplinary conference (by ACM SIGCHI) for researchers and professionals across all areas of play, games and human-computer interaction (HCI). We call this area “player-computer interaction.” The goal of the conference is to highlight and foster discussion of current high quality research in games and HCI as foundations for the future of digital play. To this end, the conference will feature streams that blend academic research and games with research papers, interactive demos, and industry case studies. CHI PLAY grew out of the increasing work around games and play emerging from the ACM annual conference on Human Factors in Computing Systems (CHI) as well as smaller conferences such as Fun and Games and Gamification. CHI PLAY is sponsored by the ACM Special Interest Group for Computer-Human Interaction (SIGCHI).

Submission Deadlines:

– April 18, 2016: Full papers
– May 27, 2016: Workshop and course proposals, Student game competition
– July 15, 2016: Doctoral consortium, industry case studies, and works-in-progress

As a SIGCHI-sponsored conference, CHI PLAY will consider submissions related to games and play. We encourage submissions on novel and innovative game interactions and mechanics and acknowledge that contributions on systems research may involve less extensive evaluation than more traditional research papers. We welcome submissions from all topics in interactive game research that are relevant to player-computer interaction, including but not limited to the following:

  • Game Interaction
  • Novel Game Control Novel Implementation Techniques that Affect Player Experience
  • Evaluation of Feedback and Display Technologies for Games
  • Gamification
  • Neurogaming
  • Persuasive Games
  • Games for Health, Learning and Change
  • Exertion Games
  • Player Experience
  • Virtual and Augmented Reality Games
  • Games User Research
  • Game Evaluation Methods
  • Psychology of Players and Games
  • Player Typologies
  • Accessible and Inclusive Game Design
  • Novel Game Mechanics Impacting Player Experience
  • Casual Game Design Studies
  • Social Game Experiences
  • Serious Games
  • Alternate Reality Games
  • Tools for Game Creation
  • Developer Experiences and Studies of Developers
  • Industry Case Studies

Although we are interested in papers on the effects of various technologies, software, or algorithms on player or developer experience, technical contributions without clear indications of the impact on players or developers are not within the scope of CHI PLAY. – See more at: http://chiplay.acm.org/submissions/#sthash.5WF9f5fG.dpuf


Academic Mindtrek 2016 CFP

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[Please spread the word, Mindtrek includes also an established game research track]

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Call for Papers, Posters, Demonstrations and Workshops
17th to 19th October 2016
Tampere, Finland
http://www.mindtrek.org/2016/academic/

Full papers, posters, demonstrations and workshops due on:
—— DEADLINE 27th June, 2016 ——

In cooperation with ACM, ACM SIGMM, and ACM SIGCHI.
Contributions will be published in the ACM digital library.

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CALL FOR PAPERS, POSTERS, DEMOS & WORKSHOPS
We are pleased to invite you to the Academic Mindtrek conference, 17th to 19th October 2016. Academic Mindtrek is a meeting place where researchers, experts and thinkers present results from their latest work regarding the development of novel technology, media and digital culture for the society of tomorrow.

Academic Mindtrek is part of the renowned Mindtrek business conference. Mindtrek brings together people not only from various fields and domains but also from different sectors such as companies, academia and various other institutions. This is the perfect opportunity for pushing research results in the practice and industry, as well as getting out-the-box research ideas based on the interaction with industry and practitioners. Mindtrek events are accessible for the Academic Mindtrek attendees, and vice versa.

The academic conference features the following major themes:

– Human-Computer Interaction (HCI)
– Interaction design and user experience
– Games and gamification
– Virtual, augmented and mixed reality
– Media education
– Collaboration and multimedia technologies in education
– Crowdsourcing and citizen participation
– Open data and data science
– New forms of journalism and media
– Theatre, performance and media
– Enhancing work in socio-technological environments

We are especially enthusiastic about applied research and papers related to practical work.

CONFERENCE THEMES

HUMAN-COMPUTER INTERACTION (HCI)
Human Computer Interaction (HCI) track addresses the design, development and implementation of user interfaces and the design of human and technology interaction. The track focuses on design of computer systems for human users, human requirements, usability, ergonomics, privacy aspects, trustworthiness, interaction theories, and sociological and psychological factors. The track brings together people from diverse areas that provide a multidisciplinary forum for academics, designers and practitioners to discuss the challenges and processes of contemporary topics in Human-Computer Interaction. The themes include, but are not limited to, the following subject areas:

• Interaction: e.g. interaction theories and models, new interaction techniques, multimodal interaction, multi-device interaction, social interactions mediated by technology.

• Interfaces: e.g. adaptive and personalized interfaces, usability evaluations, autonomous and proactive interfaces and interfaces as artefacts
• Technology: e.g. architectures for HCI, Cloud computing & Mobile HCI, new technology enablers like various sensors and actuators, toolkits and platforms for new interactive systems.
• Evaluation: e.g. evaluation studies of interactive systems, evaluation methods and techniques and user trials and experiments of interactive technology.
• User insight: e.g. methods for user research, ethnography, and understanding the users and contexts of use.

INTERACTION DESIGN AND USER EXPERIENCE
This track focuses on the practice of designing interactive digital products and services and the user experiences and interactions therein. As people’s quality standards tend to constantly increase, providing a delightful user experience and fluent interaction, the most relevant features have become central goals in the development of digital products and services. The areas of interest include, but are not limited to, the following areas:

• Theories, conceptualizations and reflections on user experience, consumer experience, product experience, interaction design, service design and their relations to other design disciplines.
• Understanding various aspects of user experience: e.g. aesthetics, trust and privacy, product attachment, playfulness, engagement, social elements
• Novel design approaches: e.g. experience-driven design, critical design, design visions
• Techniques, methods, tools and patterns for interaction design and service design
• Measuring and assessing user experience, user studies and user experience evaluations
• Creativity and innovation in design of interactive systems

GAMES AND GAMIFICATION
The culture, development and business of games has become increasingly varied. The current trends range from virtual reality and wearable gaming to freemium business models and serious games. Games research is a multidisciplinary field featuring diverse approaches to understand the phenomenon of games and play.

Academic MindTrek has an inclusive approach in the Games track focusing on novel, innovative and even unorthodox games research from theoretical works, empirical case studies to constructive projects. The Games track themes include, but are not limited to, the following subject areas:

• Design (interaction, mechanics, interfaces…)
• Evaluation (game experience, playability, usability…)
• Development (tools, engines, AI, audiovisual…)
• Business (digital distribution, crowdfunding, revenue models, virtual goods…)
• Platforms (online, social, mobile, desktop…)
• Technology (virtual, augmented and altered reality…)
• Serious games (education, health, persuasive, simulations…)
• Gamification (motivation, effects, case studies…)
• eSports (culture, streaming, fandom…)
• Hybrid games (digital-physical, board games, toys…)
• Online gambling (lottery, casino, betting…)
• Players (demographics, inclusivity, accessibility…)
• Indie (innovation, modding, transgressive…)

VIRTUAL, AUGMENTED AND MIXED REALITY
Mixed reality refers to merging of real and digital realms in order to produce new environments where physical and digital objects co-exist and interact in real time. We consider this broadly, covering both purely virtual realities, as well as augmented reality, where the perception of the real-world is enhanced with digital content. With new technologies for capturing, modelling, simulating and tracking the reality and for producing realistic hybrids of the real and digital, this field provides immense opportunities for novel applications in all areas of life. The main focus on this track is on the interactions between technology and its users rather than the technological enablers. Therefore, we welcome submissions related to, e.g.:

• Prototypes of applications or devices for virtual or augmented reality
• Studies of user perceptions, user experience and acceptance of new mixed reality technology
• Methods and processes for producing mixed reality environments
• Augmenting human perception and activity with mixed reality technology
• User interface solutions for mixed reality interactions

MEDIA EDUCATION
Media and IT play an increasingly central, diverse and complex role in contemporary life from early age to adulthood. The essential focus of media education is on developing media literacy linked to information and communication technology in learning, media production and critical thinking in media saturated societies. This field is of keen relevance for the development of education curricula across all levels, and especially for children and young people today. The track encourages papers on, for example, conceptual developments, practical skills that are necessary for competence in the area, learning environments and, methodological discussions.

COLLABORATION AND MULTIMEDIA TECHNOLOGIES IN EDUCATION
Education is increasingly using tools and solutions to support learning and collaboration on mobile, online and distance platforms and with related applications. Furthermore, various types of multimedia technologies and solutions can be used in educational context.

We welcome submissions on the collaboration and multimedia technologies, platforms, solutions, and trials in mobile, online, and distance learning contexts as well as in developing and rural regions. Theoretical, methodological and empirical submissions are welcome on design, development, evaluation, and actual use of tools, solutions, and multimedia technologies and created data from lab to real-life context. The submissions can address contexts such as daycare, schools and higher education, as well as in professional development in continuing education, MOOCs, or in informal learning contexts. Learners’ or educators’ viewpoint, or the educational aspects and goals can also be covered in the submissions, for example.

CROWDSOURCING AND CITIZEN PARTICIPATION
Crowdsourcing and citizen participation have become part of everyday activities in media landscape. Crowds or citizens, can solve problems, create, contribute, share, and analyze multimedia content and data, participate and influence decision making. Crowds contributing to open data can enable creating innovative applications, new multimedia forms, novel business models and platforms by utilizing the emerging opportunities. This track welcomes submissions on using crowdsourcing and citizen participation in multimedia and open data landscape. Submissions can include design, development, evaluation and use of solutions and platforms and processes for supporting crowdsourcing and citizen participation. Topics related to the cross-section of multimedia or open data, and crowdsourcing or citizen participation, such as gamification, motivation, incentives, privacy, as well as design and evaluation by using crowdsourcing and citizen participation are welcome to this track.

OPEN DATA AND DATA SCIENCE
Accessing, creating, analysing and utilizing good-quality data plays a central role in the development of the digital economy. The exponential accumulation of data, both sensor-based and user-created, opens new avenues for applications in, for example, various industry sectors, science, management, E-Government and E-Learning, artificial intelligence, predictive analytics, and knowledge work. But what data is interesting and where does it come from? How to access it, analyse it, make sense of it, or to build applications or ecosystems based on it? We are looking for submissions that address the challenges and opportunities related to Open data, Data science and Big Data. The submissions can, e.g., introduce computational methods for analysing, visualizing or acquiring various types of data, envision opportunities for or present developed applications that utilize open data, describe and analyse new (open) data sets, or present procedures for extracting insight from various data. In addition to the usual scientific peer review criteria, the evaluation of submissions about new data sets includes novelty, design and availability. This track is organized in association with the W3C Finnish office.

NEW FORMS OF JOURNALISM AND MEDIA
The hottest topic in journalism and publishing industry in recent years has been the “mobile first” approach. This means that particularly in the news media focus has shift more and more from print or desktop-oriented publishing to mobile-first strategies. Smartphones and tablets enhanced with the publications presence in social media are now at the core as the news media tries to meet its audience and customers at first hand. Engaging the audience with the help of these new tools is increasingly important also for non-news media, such as traditional magazines.

This track focuses on new and emerging forms of creating, distributing and presenting journalism in this new era. We have an emphasis on visual forms of storytelling and engaging audiences. This doesn’t mean other forms or genres of journalism and media are excluded.

We welcome submissions related to, e.g. use of online video, multimedia and data visualization projects in journalism, news mobile services, innovative ways of utilizing time lapse, hyper lapse, web videos, metadata, interactivity and news games. We are particularly interested in papers discussing the use and experiences of augmented, mixed and virtual reality and omni-directional video in journalism and immersive storytelling.

THEATRE, PERFORMANCE AND MEDIA
Discussions on the mediatization of performance and the use of theories and methods of theatre
and performance studies in media research enable new analytic paths to questions of cultural activity and representation. Human actions in the media, and the automated, semi-automated or computer-controlled processes used in creative practices generate unforeseen modes of performativity. Consequently, the fields of art and media now promote a culture of participation that calls for critical notions of transformative identity, new forms of co-creation and open performative environments, as represented by the many platforms of social media and emerging forms of non-linear/non- human game play. As components of user-centered ecologies and economies, these mostly digital phenomena suggest a cultural milieu where communicative processes, environments of operation, and shared or individual experiences are constantly performed and re-performed (created) by their users. The theater, performance and media track welcomes papers that discuss (but are not necessarily limited to) the following topics:

• The use of media in performance
• Digital / non-digital / hybrid performance
• Performances in specific media environments
• The performative aspects of media
• Performances in video games and other virtual environments
• The use of Motion Capture and other real time technologies in performance
• Live streaming of theatre performances
• Non-human performativity

ENHANCING WORK IN SOCIO-TECHNOLOGICAL ENVIRONMENTS
The aim of the track is to present novel approaches on research of socio-digital working environments. The underlying theme is information ergonomics, yet it covers many disciplines and perspectives. The track welcomes methodological, theoretical and empirical papers on contemporary work settings.

CONFERENCE PUBLICATIONS
Academic Mindtrek is organized in cooperation with ACM SIGMM, and ACM SIGCHI. The conference proceedings will be published in the ACM Digital Library, which includes full papers, posters, workshop proposals and demonstration proposals. All papers should follow the style guidelines of the conference. In the Finnish classification of publication forums, Academic Mindtrek proceedings are classified as Jufo 1.

There will also be rewards for the best papers from the academic conference.

FULL PAPER PROPOSALS
All submissions will be peer-reviewed double blinded, therefore please remove any information that could give an indication of the authorship. The papers should contain 6-10 pages, including the list of references.

WORKSHOP PROPOSALS
Workshop proposals should be between 2-4 pages long. We welcome you to suggest workshops as part of the Academic Mindtrek. Workshop proposals should include the organizing committee, a description of the theme and goals of the workshop, a short CV of organizers, duration, and the schedule. Workshop organizers can create their own proceedings of the accepted position papers.

Depending on the attracted number of papers for each workshop, we provide space for either half-day or full-day workshops. Previous examples include e.g. a workshop on eLearning.

DEMONSTRATION PROPOSALS
Interactive experience demonstrator proposals should be either short papers (2-4 pages long) or full papers (6-10 pages) and include: a) a description and motivation of the interactive experience demonstrator; b) general architecture of the interactive experience demonstrator; c) description of the main features of the demonstrator; d) a brief comparison with other existing related interactive experience demonstrators; e) audio-visual materials to illustrate the interactive experience demonstrator (a poster or a roll-up and other material on a laptop, for example); f) the type of license (if applicable), g) the Internet address of the interactive experience demonstrator (if applicable), and h) description of the scientific basis behind the interactive experience demonstrator (e.g., a regular paper presentation). It is strongly recommended that the authors make a video of the interactive experience demonstrator available on the Internet to accompany the article submission.

POSTER PRESENTATIONS
Posters proposals should be between 2-4 pages long and a poster should be presented during the conference. Attendees have the possibility to exhibit their posters on a A0 poster wall during the conference.

SUBMISSION DEADLINES

June 27th, 2016: Deadline for full papers, posters, demonstrations and workshops submissions.

August 19th, 2016: Notification of acceptance/rejection.

August 26th, 2016: Conference registration & copyright forms submission.

September 2nd 2016: Camera-ready papers submission.

October 17th to 19th, 2016: Academic Mindtrek Conference 2016

ORGANIZING COMMITTEE

Academic Mindtrek Conference Chair
Markku Turunen, University of Tampere

Program Chair
Janne Paavilainen, University of Tampere

Proceedings
Silvia Rubio Hernandez, University of Tampere

Local Arrangement Chair and Conference Management
Olli Purma, COSS Association

Mindtrek Conference Chair
Timo Väliharju, COSS Association

LOCAL ORGANIZERS
Ossi Nykänen, Tampere University of Technology
Riku Roihankorpi, University of Tampere
Heli Väätäjä, Tampere University of Technology
Pekka Kallioniemi, SIGCHI Finland and University of Tampere
Thomas Olsson, SIGCHI Finland and Tampere University of Technology
Anssi Männistö, University of Tampere
Sirkku Kotilainen, University of Tampere
Mikko Kanninen, University of Tampere
Marleena Huuhka, University of Tampere

For more info, contact academic.info@mindtrek.org

SUBMISSION GUIDELINES
Please use the templates provided on the style guidelines site. A template for .doc can be downloaded from https://www.acm.org/binaries/content/assets/publications/article-templates/pubform.docx and the LaTeX guidelines can be found in http://www.acm.org/sigs/publications/proceedings-templates .

Note that since the papers will be published by the ACM digital library all authors need to sign an ACM copyright form. For further guidelines please go to the ACM copyright form website (http://www.acm.org/publications/copyright_form). The copyright form would be sent through an automated system only for accepted papers.

You can start sending in your papers from April 15th onwards.

STAY INFORMED
Email: academic.info@mindtrek.org
Facebook: www.facebook.com/groups/AcademicMindTrekConference/

SUPPORTED BY
COSS Association, City of Tampere, Tampere University of Technology (TUT), Tampere University (UTA), Tampere University of Applied Sciences (TAMK) and SIGCHI Finland.


CFP: DiGRA 2017, Australia

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Call for Participation DiGRA2017: The 10th Digital Games Research Association Conference

We are delighted to announce the Call for Participation for DiGRA 2017, to be held July 3-6 2017, at Swinburne University of Technology in Melbourne, Australia.

DiGRA 2017 will bring together a diverse international community of interdisciplinary researchers engaged in cutting edge research in the field of game studies. DiGRA 2017 is supported by Swinburne University of Technology, RMIT, The University of Sydney and The University of Melbourne. The conference welcomes submissions on a wide range of topics associated with studies of games and play.

For an expanded CFP see the conference website: www.digra2017.com.

Important Dates
– Submission date (workshops): 20 January 2017
– Acceptance/rejection notification (workshops): 27 January 2017
– Submission date (all submissions except workshops): 26 February 2017 (hard deadline)
– Acceptance/rejection notification (all submissions except workshops): 25 March 2017
– Camera ready: 15 April 2017 Conference dates: 3-6 July 2017

Submission Types
We welcome a range of contributions to DiGRA2017. These include, full papers, extended abstracts, panel and workshop proposals, doctorial consortium participation as well as proposals for events and other activities that fall outside the academic tradition.

Full papers will be peer-reviewed, published on the conference website and in the conference proceedings available on open-access through the DiGRA digital library.

All other submissions will be reviewed by the conference organization committee. These submissions will be published on the conference website, but will not be included in the conference proceedings published through the DiGRA library.

For an expanded CFP see the conference website: www.digra2017.com.


CFP: GamiFIN conference 2017, ext-dl: 31 January, 2017

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CFP GamiFIN Conference 2017
Pori, Finland

http://gamifinconference.com
9th to 10th May 2017

Submissions due on:
EXTENDED DEADLINE 31th January, 2017

Selected contributions will be published in special issue of International journal of Serious Games

+ Open-access online conference proceedings (CEUR-WS)

* GamiFIN 2017 is proud and delighted to announce our confirmed keynote speakers, we do have a great combination of excellence around gamification: Dr. Sylvester Arnab, Reader in Game Science, Coventry University (UK), Dr. Sebastian Deterding, a senior research fellow at the Digital Creativity Labs, University of York (UK) and Dr. Juho Hamari, a Professor of Gamification at UCPori and a leading researcher at the Game Research Lab University of Tampere. Exciting lectures ahead concentrating on e.g. the current state of the art in the field of academic research on gamification, why gamification needs theory and how to transform ordinary tasks into extraordinary experiences. Be sure not to miss these key-talks next May in Pori, Finland!

We are pleased to invite you to GamiFIN conference, on 9th to 10th of May 2017 in Pori, Finland. GamiFIN is a meeting place where researchers, industry and experts present results from their latest work regarding gamification, technology, media and digital culture for the future society.

GamiFIN is a concept made up by University Consortium of Pori. GamiFIN brings together people not only from different fields of academia but also from different sectors such as companies and other institutions. GamiFIN is a great opportunity to present your novel and ground-breaking research results, benefit from the interaction with industry and practitioners and to get new ideas how to utilize gamificational approaches in research as well as in industrial level.

The GamiFIN conference features e.g. the following major themes:

  • Gamification, ludification, playfulness
  • Industry and gamification
  • Gamification of public events such as concerts, sports events etc.
  • Wellbeing and gamification
  • Sustainability, ecological solutions
  • Customer services gamification
  • Funification
  • Gamification of mathematics
  • Gamification of data collection
  • Gamification of research

CONFERENCE PUBLICATIONS

The authors of the selection of the best papers will be invited to publish their work as an article in a special issue of the International Journal of Serious Games.

All the papers accepted to the conference, will be sent for consideration in open-access CEUR Workshop Proceedings. CEUR-WS.org is a recognized ISSN publication series with ISSN 1613-0073. After acceptance, the proceedings will be published as a GamiFIN Conference 2017 volume. (In the Finnish classification of publication forums, CEUR-WS-proceedings are classified as Jufo 1)

SUBMISSION GUIDELINES 

There are two different tracks you can submit your proposals to:

1) academic and 2) industrial

In the academic track, the papers should contain 4 -6 pages, including the list of references. Papers are expected to contribute the field of gamification, based on the different themes of the conference. The contribution has to be original, novel, well written and scientifically ensure the validity of the presented results.

The industrial track serves the participating companies by offering demo sessions where current and on going work can be presented. Contributions concerning development, business cases, marketing, strategy, case studies, best practices and lessons learned etc. are welcomed. In industrial track, please submit 1-page position paper. All academic submissions will be peer-reviewed double blinded. The industrial submissions should include a short biography of the author / presenter, and description of their organization.

Extended deadline for submissions is 31th of January, 2017.



CFP: Digital Humanities in the Nordic Countries 2018

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Digital Humanities in the Nordic Countries calls for submissions for its 2018 conference in Helsinki, Finland, 7–9 March 2018.
http://heldig.fi/dhn-2018/

Keynote speakers
Kathryn Eccles, University of Oxford, https://www.oii.ox.ac.uk/people/kathryn-eccles/
– Academic Programme Manager for Digital Humanities and Research Fellow at Oxford Internet Institute with interest in the impact of new technologies on Humanities scholarship, and the re-organisation of cultural heritage and higher education in the digital world.

Alan Liu, University of California, Santa Barbara, http://liu.english.ucsb.edu
– Distinguished Professor in the English Department at the University of California, Santa Barbara, and an affiliated faculty member of UCSB’s Media Arts & Technology graduate program.

Frans Mäyrä, University of Tampere, http://www.unet.fi
– Professor of Information Studies and Interactive Media (specifically digital culture and game studies)

In 2018, the conference seeks to extend the scope of digital humanities research covered, both into new areas, as well as beyond the Nordic and Baltic countries. In pursuit of this, in addition to the abstracts familiar from humanities traditions, we also adopt a call for publication ready texts as is the tradition in computer science conferences. Therefore, we accept the following types of submissions:
1. Publication ready texts of length appropriate to the topic. Accepted papers will be submitted to the CEUR-WS proceedings series for publication in a citable form.
a. Long paper: 8-12 pages, presented in 20 min plus 10 min for Q&A
b. Short paper: 4-8 pages, presented in 10 min plus 5 min for Q&A
c. Poster/demo: 2-4 pages, presented as an A1 academic poster in a poster session.
2. Abstracts of a maximum of 2000 words. Proposals are expected to indicate a preference between a) long, b) short, or c) poster/demo format for presentation. Approved abstracts will be published in a book of abstracts on the conference website.

Submissions to the conference are now open at ConfTool: https://www.conftool.net/dhn2018/

Important dates
The call for proposals opened on 28 August 2017, and the deadline for submitting proposals is 25 October 2017. Presenters will be notified of acceptance by 8 January 2018. For papers accepted into the citable proceedings, there is an additional deadline of 5 February 2018 for producing a final version of your paper that takes into account the comments made by the reviewers.

This year, the conference welcomes in particular work related to the following themes:

History
While the number of researchers describing themselves as digital historians is increasing, computational approaches to history have rarely captured the attention of those without innate interest in digital humanities. To address this, we particularly invite presentations of historical research whose use of digital methods advances the overall methodological basis of the field.

Cultural Heritage
Libraries, galleries, archives and museums are making vast amounts of cultural heritage openly digitally available. However, tapping into these resources for research requires cultivating co-operation and trust between scholars and heritage institutions, due to the cultural, institutional, legal and technical boundaries crossed. We invite proposals describing such co-operation – examples of great resources for cultural heritage scholarship, of problems solved using such data, as well as e.g. intellectual property rights issues.

Games
Humanities perspectives on games are an established part of the game studies community. Yet their relationship with digital humanities remains undefined. Digitality and games, digital methods and games, games as digital methods, and so on are all areas available for research. We invite proposals that address high-level game concepts like “fun”, “immersion”, “design”, “interactivity”, etc positioned as points of contact with the digital.

Future
We also invite proposals in the broad category of ”Future”. Accepted proposals will still fit in the overall context of the conference and highlight new perspectives to the digital humanities. Submissions may range from applications of data science to humanities research to work on human-machine interaction and ecological digital humanities. We also welcome reflections on the future of the digital humanities, as well as the societal impact of the humanities.

Finally, the overarching theme this year is Open Science. This pragmatic concept emphasises the role of transparent and reproducible research practices, open dissemination of results, and new forms of collaboration, all greatly facilitated by digitalisation. All proposals are invited to reflect on the benefits, challenges, and prospects of open science for their own research.

Call for workshops/panels and tutorials
In addition to individual papers, the conference calls for interested parties to submit proposals for workshops/panels and tutorial sessions to be held preceding the conference. Workshops/panels gather together participants around a particular subtopic, while tutorials present a useful tool or method of interest to the digital humanities community. Either can take the form of either a half or a full day session, and they generally take place the day prior to the conference.

Proposals should include the session format, title, and a short description of its topic (max 2000 words) as well as the contact information of the person/s responsible. Proposals should also include the following: intended audience, approximate number of participants, and any special technical requirements.

Submit your workshop/tutorial at the conference ConfTool: https://www.conftool.net/dhn2018/

Organisers at HELDIG – the Helsinki Centre for Digital Humanities at the University of Helsinki, the Faculty of Arts include Mikko Tolonen (conference chair, mikko.tolonen@helsinki.fi), Eetu Mäkelä (programme chair, eetu.makela@helsinki.fi), Viivi Lähteenoja (conference producer, viivi.lahteenoja@helsinki.fi), Maija Paavolainen (communications chair, maija.paavolainen@helsinki.fi), Jouni Tuominen (web chair, jouni.tuominen@helsinki.fi), and Eero Hyvönen (HELDIG director, eero.hyvonen@helsinki.fi).

DiGRA 2018 CFP: The Game is the Message

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The Game is the Message
http://digra2018.com

July 25-28, 2018

Campus Luigi Einaudi, Università di Torino, Turin, Italy
Lungo Dora Siena, 100 A, 10153 Turin, Italy

Conference chairs: Riccardo Fassone and Matteo Bittanti

Games have long since moved out of the toy drawer, but our understanding of them can still benefit from seeing them in a wider context of mediated meaning-making. DiGRA 2018 follows Marshall McLuhan, and sees games as extensions of ourselves. They recalibrate our senses and redefine our social relationships. The environments they create are more conspicuous than their content. They are revealing, both of our own desires and of the society within which we live. Their message is their effect. Games change us.

To explore this change, we invite scholars, artists and industry to engage in discussions over the following tracks:

– Platforms
Game platforms invite new textualities, new technologies and new networks of power relations. Game structures, their integration with and use of the technology, as well as the affordances and restrictions offered by the platforms on which they live, influence our experience of them.

– Users
Games invite new relations between their users, and players strive for and achieve new modes of perception. This reconfigures our attention, and establishes new patterns and forms of engagement.

– Meaning-making
The connection between a game and its content is often interchangeable – a game is clearly recognizable even if the surface fiction is changed. But games still produce meanings and convey messages. We ask, what are the modes of signification and the aesthetic devices used in games? In this context we particularly invite authors to look at games that claim to be about serious topics or deal with political and social issues.

– Meta-play
The playing of the game has become content, and we invite authors to explore spectatorship, streaming, allied practices and hybrid media surrounding play and the players. How can we describe and examine the complex interweaving of practices found in these environments?

– Context
Games are subject to material, economic and cultural constraints. This track invites reflection on how these contingencies as well as production tools, industry and business demands and player interventions contribute to the process of signification.

– Poetics
Games are created within constraints, affordances, rules and permissions which give us a frame in which games generate meaning. Games have voice, a language, and they do speak. This is the poetics of games, and we invite our fellows to explore and uncover it.

– General
Games tend to break out of the formats given them, and so for this track we invite the outstanding abstracts, papers and panels on alternative topics to the pre-determined tracks.

We invite full papers, 5000 – 7000 words plus references using the DiGRA 2018 submission template (http://www.digra.org/?attachment_id=148233), extended abstracts (from 500 words, maximum 1000, excluding references), and panel submissions (1000 words excluding references, with a 100 word biography of each participant). Full papers will be subject to a double-blind peer review. Extended abstracts will be blinded and peer reviewed by committees organised by the track chairs. Panels will be reviewed by the track chairs and the program chairs. General inquiries should be addressed to Riccardo Fassone – riccardo.fassone AT unito.it. Artist contributions, industry contributions, performances or non-standard presentations should be addressed to Matteo Bittanti – matteo.bittanti AT iulm.it .

Submission will be opened December 1st, 2017, and the final deadline for submission is January 31st 2018. The URL for submissions is https://easychair.org/conferences/?conf=digra2018 .

Program chairs are
Martin Gibbs, martin.gibbs AT unimelb.edu.au, University of Melbourne, Australia
Torill Elvira Mortensen, toel AT itu.dk, IT University of Copenhagen, Denmark

Important dates:
Submission opens: December 1st, 2017
Final submission deadline: January 31st, 2018
Results from reviews: March 1st, 2018
Early registration deadline: March 15th, 2018
Reviewed and rewritten full papers final deadline: April 15th, 2018





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